This Summer I will be nature journaling in the Galapagos Islands with John Muir Laws and a boat-full of nature journalers! The trip is already full but you can enjoy it vicariously through some of the videos, photos, and nature journal pages that I will share with you. (there might be more trips like this in the future too!)
I will also be making an illustrated publication based on my trip similar to my Tanzania Journals. This publication will be available for my Patreon supporters and through my website.
Let me know if there are any things about the Galapagos that you want me to share with you.
Have you experimented with brush pens? Do you have time to sort through all the different types as well as their confusing names? In this video I review several types of brush pen that I have been using for nature sketches and nature journaling.
When I first started nature journaling I had a limited number of drawing tools that I used. However, I went through a stage where I experimented with a lot of different art supplies. Have you ever gone through stages like that? It can be fun to experiment with different media and it can help us grow as artists. Experimenting with different art materials can also be an excuse to buy a lot of stuff and get the pleasure release from shopping instead of the pleasure of actually making art.
After several years of experimentation I have narrowed down my “quiver” of brush pens. Having a limited number of tools is empowering for me, it builds confidence, familiarity and skill. It also makes it easier for me in the field when I reach for an art tool and I don’t have to think twice.
Here are the ones that I have found most useful…(this is not an exhaustive list but if you are just starting out or just need a good pen it covers the bases)
Best Brush Pens For Nature Sketching
Pens With Actual Brush Bristles:
Pentel Color Brush Pen Black: while the name is a little confusing this pen is just like a brush that you would use for calligraphy but it has a cartridge full of black ink. It comes in fine point and medium point and the ink is supposed to be waterproof. Even though it is more waterproof than the one mentioned below, I would not do watercolor on top of it and sometimes it smudges on your hand or the opposite page in a journal. Despite being a fun art tool I rarely carry this in my field kit but use it in the studio for gestural drawings, titles, dramatic silhouettes and the like. It puts down a rich heavy black. “Pigment based ink” is keyword for it is more water proof.
Pentel Fude Brush Pen: this one looks just like the one above but the ink is less water soluble. If you want to experiment with washes or wet on wet techniques in ink this could be fun. Otherwise, I see no benefit to this one and once I tried it I have never gotten it again. I do not recommend this one for nature journaling or watercolor.
Pentel Color Brush Pen Gray: this is a newer version of one that I have used in the past. I like gray ink for a lot of purposes however it seems like the Pentel gray inks are usually less waterproof. Gray ink can be really useful for under-drawings.
Brush Pens with Felt Tip Type Points:
Tombow Dual Brush Pens: I have used these pens a lot in my journal for creating frames, borders, titles, and under-drawings. They come in a wide variety of colors including some very pale ones which I really like. However, they are not waterproof and I have had whole pages ruined when I was exposed to a little mist in the field. For nature journaling this is unacceptable. I rarely use these tombow pens anymore.
Zebra Brush Pens: These come in 3 tip widths and a gray ink version. They are waterproof and John Muir Laws has been recommending them and selling them for several years on his website. I have tried them and they are pretty good. You can get a lot of line variation and once they dry they are pretty resistant to watercolor washes on top.
Last but not least, the Pilot Futayaku Brush Pen: this pen is currently my favorite drawing tool, especially the one that has a gray tip and a black tip on the same pen! The ink is waterproof but the gray might fade a little bit. You can also get a lot of line variation. I love the gray ink. If you want to see how I use this pen in my landscape painting process check out this post here.
Are you stuck at home but you still want to make art and nature journal? Me too! That’s why I made this video on how to make a landscape painting from photos. Whether you are stuck at home because of the weather, because of a pandemic, or because it is dark outside this guide will help you. Learning how to use reference photos for watercolor painting is a good skill to build regardless.
The 11 Step Guide To Landscape Painting From Photos:
First, you make a pot of tea. Actually, this is a very important step.
Next, you create the station where you are going to be working. Since you are going to paint from photos of landscapes on your computer or iPad make sure you get the area organized. Get all your materials ready: watercolor, towel, brushes, pencils, nature journal,
Third, choose your photo wisely. No matter your skills, your final drawing or painting is only as good as the photo it is based on. Certain things like sunsets are also extra hard to paint accurately so let us avoid those. Unfortunately, many beginners are attracted to sunsets. Hence the many amateur painting of sunsets online. We will get to sunsets once we build some basic skills.
Fourth, crop and edit your photo for better painting. In the video I go into depth about how important cropping is. By cropping your photo intentionally you can make your painting more dramatic and you can incorporate important design elements such as the “rule of thirds.” Additionally, you can focus on the values better by turning your photos of landscapes into black and white.
Next, we jump into the landscape painting process by drawing the basic shapes. Being able to simplify a landscape into 3-8 major shapes is essential. It is the arrangement of these basic shapes that gives the landscape painting it’s feeling and impact.
After drawing the shapes it is time to lay in the lights and darks. You should aim for 3-8 gradations from light to dark. The sky is always the lightest. These gradations should match the simplified shapes from step 5.
Now, it is time to go back and add another level of darkness to your landscape drawing. Pay attention to the dark spots in your photo reference and try to match these in your drawing.
Watercolor Painting Time!
Now, it is time to really start painting from your photo. Turn the photo back into color then take out your watercolor and start laying in washes. First, do the paler washes such as the sky and the background. Focus on keeping the values correct.
Add local color accents. Now, look at your photo reference and try to match some of the specific colors. But remember, these are accents so they do not need to go everywhere. And the most important thing is that your 3-8 major blocks are still recognizable separate.
Now, add more contrast in the foreground elements and push your values a little more. Most of the time watercolor landscape paintings end up to pale.
Finally, take a look at the reference photo for your watercolor painting and compare it to your actual page. Where could you do better? Try turning the photo back to black and white. How close are your values? For bonus points do another version of this landscape but with charcoal or graphite.
Painting from photos gives you a lot of tools to improve your landscape painting skills!
For more landscape painting ideas, especially for mini-landscapes check out this post
Don’t forget to watch the video for all the pro tips!
Every hobby has special concepts and lingo and nature journaling is no exception. Have you ever encountered nature journal ideas or language that you were unfamiliar with? If so, this video can help. I explain 10 nature journaling ideas and special words that every nature journaler should know.
And why should you know these words?
You should know these words because we need them to explain the specific ideas that are unique to our practice. In addition, they can be a shortcut to communicate a whole concept. For example, I can just say “pencil miles” to someone and convey a large amount of info succinctly. Otherwise, I would have to use several sentences to communicate the same idea.
Let’s get on with the words! Have you used any of the words below?
Ten Nature Journal Ideas You Need to Know:
Pencil Miles: This is a cool phrase that summarizes the importance of repetition and practice for the improvement of drawing.
Meta-Data: This heading at the beginning of our page gives info about the location, the time, and the date. In addition, you can add whatever data is relevant to you such as: the tide, who you are with, the humidity as well as symbols for the type of clouds or other weather features.
Landscapitos: These are small landscape drawings. For more about them check out this post on Landscapitos.
Non-Photo Blue Pencil: Many nature journalers use these pencils for a faint under-drawing. They do not show up in photocopies or scans. Check out what John Muir Laws loves about them!
The Pretty Picture Trap: This nature journal idea is one you want to avoid! Even though we all like beautiful drawings the fact of focusing on making pretty pictures can be a problem.
Precious: Sometimes, when I have a drawing that is looking good, I start taking fewer risks because I start getting precious about it . This can hamper our learning. Similarly, this problem can emerge if you have really fancy materials or watercolor paper and you are hesitant to mess it up.
Stealing Ideas: We use the word “stealing” in a positive way because we want people to be able to share ideas and learn from each other. Therefore, next time you are in a journal share “steal” some good ideas from someone instead of just admiring their pretty page.
Post Hoc: Any nature journaling work that you do after the field trip is called post hoc which means “after” in Latin.
Sacrificial Pancakes: One of my favorite nature journal ideas is the sacrificial pancake! These are the first drawings we make in a session while we are warming up because you have to make these before you can make good ones!
For number 10 go watch the video! You will also find a bonus one there.
People who live in the North Bay are in luck! Because the San Francisco Bay Area is the epicenter of the Nature Journaling movement! If you live in Sonoma, Napa, Solano, or Marin you also know we have tons of beautiful parks and natural areas to explore. As a result, I consider the North Bay a Nature Journaling paradise!
Nature Journaling classes and clubs in our area:
As you probably know, I lead the Monthly Nature Journaling fieldtrips with the North Bay Nature Journal Club, usually in Sonoma and Marin. See the calendar here.
There is also the newly formed Napa Valley Nature Journal Club. Check out their Facebook page here. If you live and nature journal in the Napa Valley you can help this club grow.
Short Monthly Classes with John Muir Laws where he goes over specific techniques. See his calendar here. And he also leads a field trip near the end of every month sometimes in the north bay but also in the East and South Bay.
Here are my top three North Bay nature journaling spots for 2020!
Abbot’s Lagoon in the Point Reyes National Seashore. This incredible location has it all: sand dunes, biodiversity, seabirds, otters, and beautiful vistas. It is a little bit of a drive if you are coming from Santa Rosa or Vallejo or Napa but it is definitely worth it for a half day or more nature journaling adventure.
Sonoma Baylands Trail on San Pablo Bay. This central location is gonna be a relatively short drive from most towns. It is a wonderful place to marvel at the marshlands that used to surround the entire Bay Area. There are many seabirds and weird plants here too. Even though it is a short drive from the city you will feel peaceful here.
Helen Putnam Regional Park. I have led the North Bay Nature Journal Club to this location several times. It is easy to get to but has beautiful oak savanna landscapes and wonderful old trees. It can get very hot so plan accordingly.
Do you want to escape the cold and the rain to go on a nature journaling vacation to a tropical rain forest in February? You are in luck because on February 9th I will be leading a nature journaling field trip inside the bio-diverse greenhouses at California Carnivores in Sebastopol! This local business contains arguably the biggest collection of carnivorous plants in the world. Not only are these plants fascinating to study and beautiful to draw but many of them are also endangered. They also have many orchids, bromeliads, liverworts, and mosses.
RSVP is required for this special class limited to 15 people. Please contact me directly at marley339 at gmail.com
In this class I will teach topics including: how to quickly capture the essence of complex shapes in our drawings, how to draw things we are intimidated by, and how to nature journal in visually overwhelming or information-dense settings.
The weather will be relatively mild, humid, and warm inside the greenhouses. Hats will be useful if it is sunny. We will not be walking much but the floor is uneven and made of gravel. Wear comfortable shoes, bring a folding stool if you have one that you like, a potluck item to share, utensils for yourself and water to drink. There is a bathroom on site. Unfortunately, this site is not wheelchair or scooter friendly.
We will meet at 10 am in the parking lot. Look for people standing around with sketchbooks. Potluck lunch around 12:30.
Be prepared for mind-boggling plant forms and colors as well as a good dose of novelty-induced dopamine!
RSVP is required for this special class limited to 15 people. Please contact me directly at marley339 at gmail.com
$20 suggested donation. No one turned away for lack of funds.
Do you ever feel like you don’t have enough time ? Do you ever wish that you could carve out more time or be more disciplined about drawing or journaling more? But you don’t want to wake up at 3:30 in the morning? In this video I share some ideas that can help you.
Do you need some nature journaling ideas, inspiration, and motivation? Did you know that you can learn a lot just by reviewing your old journals? In this episode of The Nature Journal Show I review one of my past journals and break down some tips for you to use.
Have you ever stared at the blank page of a new sketchbook for a little bit too long? Have you ever been on a roll with your nature journaling and then become suddenly timid when you have to start a new book? Here are 10 tips to help you next time that happens.