Botanical art and nature journaling are essential to how Dion Dior makes meaning of the world. She shares some of her pages, favorite supplies, and technical tips in this talk. In addition she describes the huge privilege and responsibility that nature journalers have. Don’t miss the lightning round!
Dion lives in Noosa, Queensland Australia. She nature journals for herself as well as teaching and leading a local nature journal club. The Noosa Nature Journal Club holds free monthly classes in the Sunshine Coast area.
The Noosa Nature Journal Club is based in the Noosaville Area and is open to anyone with a passion for exploring nature with a field journal.We are a community of nature lovers and artists of all levels who meet to connect, record and appreciate the beautiful natural environments of the Sunshine Coast and beyond
Start With a Leaf
As a result of her teaching experience Dion has noticed that people are often overwhelmed in nature. “Where should I start?” Starting with a leaf is an antidote to this. Therefore Dion just tells people to pick up a leaf.
Botanical Art and Nature Journaling Begins with a Leaf
First of all, leaves are accessible and can be found almost anywhere there are people.
Secondly, leaves provide many avenues of investigation when we look at them carefully.
Thirdly,they provide many fun artistic challenges.
Last but significantly leaves are limited in their scope. A leaf once separated from the plant is a circumscribed subject. It is manageable.
Dion Uses Multiple Journals
Another thing that was interesting to learn was how Dion uses multiple sketchbooks and journals for different purposes.You probably know my thoughts about keeping multiple journals. If not, check out this post called “One Journal to Rule Them All.”
She has at least four different nature journals. One is made with nicer watercolor paper. This journal is mostly for botanical art. Dion mostly uses it at home when she is building her skills as an illustrator. She also has one that is dedicated to practice. She does not worry about what the pages looks like. This book is for fun and learning.
Mariia Ermilova Terada shows us how to nature journal biocultural diversity. Not only does she nature journal in three languages but she also incorporates the human-nature connection into her pages. In contrast, most nature journalers today omit this relationship. For example, I often choose nature subjects where I cannot see the human interaction. I frequently exclude hikers, benches, telephone poles from my landscape paintings. Another example is that I rarely nature journal my garden, my salad, or the other aspects of nature my life is directly dependent on.
In addition, we talk about Mariia’s studies, her love of frogs, fabric arts, and the role nature journaling can play in making the world a better place. Don’t miss the lightning round!
How to Nature Journal Your Breakfast
Did you nature journal the plants and animals that you ate for breakfast today? What about the plants or animals that made your clothes? Have you ever included the indigenous names for plants or animals on your page? If nature journaling is supposed to connect us more to nature why do we often avoid the subjects we are most closely connected to?
In the above example we can see how Mariia applies nature journaling to an everyday scene. Her neighbor caught a fish and is cooking it. This nature journal page captures that subsistence relationship. In addition she gives the name of the fish in three languages and points out how it is an invasive species. The combination of comic, recipe, and species profile give this page a biocultural significance. In contrast, Mariia could have just nature journaled a random butterfly. “What’s wrong with nature journaling a random butterfly?” In fact, there is nothing wrong with choosing a subject just because of an aesthetic interest. But let’s be self aware. Why don’t we nature journal what we eat?
How to Nature Journal Biocultural Diversity
First, be curious about local traditional knowledge about nature in the area where you are. What culture has been living there? What was their relationship to the plants and animals and landscapes you are drawing? Is there a way you can recognize and incorporate some of that into your journal? However, be aware of the issue of cultural appropriation.
Second, be curious about cultural context. Even the magnolia in your garden, the chicken in your soup, or your house cat have a cultural context. Even a quick search on google could find some cool background. What if you included a map, names in other languages, or historic references next to that sketch of your feline or flower?
Finally, what are some biocultural connections from your own life? You can also try to nature journal some of the aspects of your own life that are connected to nature. What plants, animals, fungi, minerals etc do you relate to on a daily basis?